Between network status / 22 episodes per season, Person of Interest doesn’t have money or development time or shoot time of a show like The Americans. Episodic directors must understand when and how to maximise big camera moves; one way is less about the shots themselves, and more about how they work within the whole. For example long, slow-turning dolly shot may not be profound on its own, but when contrasted with static shot-reverse-shot in adjoining scenes, it can say something about how one character is moving forward and others are stuck.
Why to Oner - PERSON OF INTEREST
Why to Oner - PERSON OF INTEREST
Why to Oner - PERSON OF INTEREST
Between network status / 22 episodes per season, Person of Interest doesn’t have money or development time or shoot time of a show like The Americans. Episodic directors must understand when and how to maximise big camera moves; one way is less about the shots themselves, and more about how they work within the whole. For example long, slow-turning dolly shot may not be profound on its own, but when contrasted with static shot-reverse-shot in adjoining scenes, it can say something about how one character is moving forward and others are stuck.