I (Mel) mostly just wanted to talk about the cool match cut (at 1:14-1:18 in the video below) When I looked at it in context, though, I realised how well it works as a segue between the two wildly different sequences on either side of it. Setup The sequence before is dark with beautiful saturated-colour highlights, camera moving and zooming and rack focusing through several short clips strung together with music and movement, edited into quick-flowing story, until we reach the